Memory Almost Full // The works in the exhibition adopt a range of mediums and technologies to foreground and linger on the ruptures and connections formed in the conceptual and aesthetic space that unfolds between the human and the technological. Many of them focus on the glitch as a visual and conceptual metaphor for the gaps and fractures that emerge in these interfaces. 


The Wrong Biennale’s 7th edition, entitled “The Wrong Returns,” focused on the artistic dimensions of artificial intelligence, features work by 16oo+ artists, selected by 18o+ curators, showcased in 1oo+ pavilions and embassies.